We were never meant to survive
Abdullah Qureshi
Preview: Tuesday 21 May 5-8pm
22 May – 15 June 2024
Abdullah Qureshi, Chris I, 2022, acrylic and Indian ink on watercolour paper, 112x76cm
Abdullah Qureshi, Early morning swims I, 2022, acrylic and Indian ink on paper, 112x76cm
Abdullah Qureshi is a Pakistan-born artist, curator, and educator. Rooted in traditions of abstraction, he incorporates gestural, poetic, and hybrid methodologies to address autobiography, trauma, and sexuality, through painting, filmmaking, and immersive events.
Abdullah Qureshi, I like his energy, 2023, gloss paint on canvas, 137x107cm
Abdullah Qureshi, Camera on the roof, 2023, enamel paint on canvas, 137x107cm
Drawing from childhood memories, everyday surroundings, and intimate encounters, recurring motifs in his two-dimensional work are interior objects, abstract landscapes, and faceless portraits. In moving image and durational projects, Qureshi situates artistic concerns from the personal into more expansive conversations on critical histories, visual culture, and social justice. His films take a camp performance-based approach to portray scenes, symbols, and non-linear narratives that extend his visual language, questions on identity, and queer genealogies outside the Western canon.
Abdullah Qureshi, He used to play hide and seek with me, 2023, enamel paint on canvas, 122x84cm
Abdullah Qureshi, Saunas are not the same in Toronto, 2022, acrylic and Indian ink on paper, 76x51cm
Abdullah Qureshi, Would you like to join me in the sauna?, 2022, acrylic and Indian ink on paper, 112x76cm
Working with long-term collaborators, Qureshi’s curating, cultural programming, pedagogy, and writings further articulate his inquiries in feminist, LGBTIQ2S+, decolonial, anti-racist, and migratory discourses. Centring Black and People of Colour perspectives, he engages collective modes of creative thinking, organisation, and production. Through his ongoing doctoral project, Mythological Migrations: Imagining Queer Muslim Utopias, he examines formations of queer identity and resistance in Muslim migratory contexts.
Abdullah Qureshi, Qasim and Ibrahim III, 2021, Indian ink and emulsion paint on paper, 76x51cm
Abdullah Qureshi, Qasim II, 2021, Indian ink and emulsion paint on paper, 76x51cm
Abdullah Qureshi was born in 1987, in Lahore, Pakistan. His work has been exhibited internationally, including at the National Gallery of Art, Islamabad, Alhamra Art Gallery, Lahore, Rossi & Rossi, London, Berlinische Galerie, Berlin, Twelve Gates Arts, Philadelphia, and SOMArts Cultural Center, San Francisco. He has held numerous positions at cultural and educational institutions, including the British Council Pakistan and National College of Arts, Lahore. Qureshi has conducted lectures, paper readings, and artist talks around the world, including at the Film and TV School of Academy of Performing Arts (FAMU), Prague, Ateneum Art Museum, Helsinki, PRAKSIS, Oslo, Residency Unlimited, New York, University of California, Irvine, Valand Academy, Gothenburg, and Fábrica de Arte Cubano, Havana.
In 2017, Qureshi received the Art and International Cooperation fellowship at Zurich University of the Arts, and in 2018, a research fellowship at the Center for Arts, Design, and Social Research, Boston. In 2019, he joined the Centre for Feminist Research, York University, Toronto, as a visiting graduate student. Qureshi is currently a Doctoral Candidate at Aalto University, Espoo, and Lecturer in Fine Art: Contemporary Practices at Northumbria University, Newcastle upon Tyne.
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