Uncommon ground

Paul Becker, Jorn Ebner, Mark Joshua Epstein, Nadia Hebson, Matthew Smith, Alison Unsworth, Flora Whiteley

4 February – 14 March 2009

‘Uncommon ground’, 2009, (left) Paul Becker, (centre) Flora Whiteley, (right) Mark Joshua Epstein, installation view

‘Uncommon ground’, 2009, installation view

‘Uncommon ground’, 2009, (left) Matthew Smith, (centre) Nadia Hebson, (right) Jorn Ebner, installation view

‘Uncommon ground’, 2009, (left) Flora Whiteley, (centre) Mark Joshua Epstein, (right) Alison Unsworth, installation view

‘Uncommon ground’ comprises the work of seven artists exploring the ways in which our environmental conditions, both natural and man-made, affect and reflect our lives and are in turn affected by our selves and our actions.

Landscape and architecture are amongst the great recurring themes in art history – they surround us and define us just as we also struggle to make sense of them. The artists in ‘Uncommon ground’ draw from art history, myth, the politics of space and ownership, and the power of nature in their examination of the, often uneasy, relationship we have with our surroundings.

Paul Becker creates charged and brooding landscapes and interiors that draw on art history, mythology, and storytelling.

Jorn Ebner uses the politics of space, the occupation of real or virtual territory, to create dystopic environments.

Mark Joshua Epstein blurs the boundaries between real and internalised spaces in his exploration of how self is constructed through an engagement with one’s setting.

Nadia Hebson paints land and seascapes that are melancholic and ambiguous, invoking various desires, fears, and anxieties in the process.

Mark Joshua Epstein, John Turns a Corner, 2007, animation production still, ink on paper, 21x30cm

Matthew Smith, 150g, 2004, watercolour on paper, 37.7x53.9cm

Alison Unsworth, Lion on plinth, Ocean Road, South Shields. Tuesday 5 August 2008, 2008, lithograph print on paper, 34x50cm

Matthew Smith, Monitored Environment, 2004, watercolour on paper, 28.4x55.5cm

Matthew Smith reconfigures utopian pastoral scenes from food packaging, where the artificial pictorial world of the supermarket becomes the motif for his watercolours.

Alison Unsworth focuses on built environments and considers how they are constructed and highlights the alienation and disaffection present within the contemporary urban landscape.

Flora Whiteley manipulates images of interiors and exteriors, accentuating the uncanny or unhomely contained within.


Take a video tour of the exhibition


 

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2009Paul Stone