Jack is the vehicle through which the artist investigates his affinity with the solitary act of painting…
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Modern city life is both regulated and facilitated by a multitude of tokens and tickets…
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Sack forms an archive of one year spent painting, collecting and photographing carrier bags and refuse sacks in Newcastle and beyond…
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Singing consists of several violin strings stretched taut across the recesses of the space in the building in which it is exhibited…
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Work that reflects upon the implications of site, location, time, repetition, collapse and entropy…
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As an arrival and departure point for the city, Central Station contains many maps and other information for its users…
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The large street-level windows of the former Newcastle Lighting Centre host a work made of coloured lighting gels…
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Digitally created, The Fog only exists virtually – a phantom version of something already highly transient in its original form…
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Work that explores how in contemporary western society capitalist systems outweigh pious systems…
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30 September – 2 December 2000
‘Vane99’, followed much the same pattern as ‘Vane97’ and ‘Vane98’, though with an increase in the number of exhibitions and events (over eighty) and artists taking part (almost 200)…
30 September – 27 November 1999
‘Vane99’, followed much the same pattern as ‘Vane97’ and ‘Vane98’, though with an increase in the number of exhibitions and events (over eighty) and artists taking part (almost 200)…
1-31 October 1998
‘Vane98’ consisted of almost fifty exhibitions featuring the work of over 100 artists spread over the whole of the city of Newcastle and beyond…
7 July – 9 August 1997
The first ever Vane project, ‘Vane97’, was initiated by a group of artists based in the north east of England…