Matt Stokes is involved in an ongoing investigation into the history of Out House Promotions, a defunct rave organisation…
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Claire Todd utilises several media in her work to explore the problem of alienation…
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Edwin Zwakman fabricates images of reality that destabilise and subtly shift our perspective…
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6-27 September 2003
The artists in ‘Afterlife’ share an interest in capturing particular or significant moments in time…
Yael Bartana’s Trembling Time was filmed in Tel-Aviv on Soldiers’ Memorial Day…
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Alex Frost’s work for ‘Afterlife’ represents a single theme played in two different ‘keys’: drawing and sculpture…
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Laura Lancaster’s small-scale paintings are based upon anonymous snapshots found in flea markets and junk shops…
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Laurence Lane’s Untitled Walking Record is a 12”, one-sided vinyl record consisting of recordings of the artist walking through ten cities in six countries…
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Susan MacWilliam’s work examines photography and vision and explores ideas about illusion and the paranormal…
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Anthony Shapland shot Spectate in a cinema during a screening of Hirokazu Kore-Eda’s film After Life…
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For Tail, Clara Ursitti has spent the past year exploring one of the largest and most spectacular cemetaries in Britain…
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Matt White’s manipulation of image and concept through video results in works that incorporate deceptively simple narrative structures…
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24 May – 14 June 2003
The artists in ‘Translator’, have all taken a text that is not their own as the starting point for their work…
Mark Briggs projects a comic book cliché against the wall…
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Paul Carter’s constructions and environments provoke meditations on basic questions about existence and the afterlife…
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Joe Devlin’s work is not so much a series of drawings, as a record of other people’s involvement in a text…
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Graham Dolphin’s Everyword in Vogue, July 2001 is literally that: every word from one edition of the fashion magazine…
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William L Gofton takes a line from a song and repeats it over-and-over, end-to-end, until it is almost emptied of any meaning…
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Colin Heggie’s Xtext tele(visually)ports the audience into a hypothetical near future…
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David Osbaldeston’s photocopied drawings attempt to blur narratives of fact and fiction…
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