The political element in art has returned with a vengeance to the agenda of intellectual discourse and artistic practice in the work of Alicia Framis…
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Working directly onto the fabric of buildings, Natalie Frost’s work is often initially camouflaged, simulating the surface or surroundings in which it is sited…
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In Francis Gomila’s Night Out we witness a conflict between a man and a woman in the street…
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The authentic re-presentation of reality in the work of Hermelinde Hergenhahn addresses the banality of the everyday and suffuses it with a lilting poetry…
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Brigitte Jurack’s two-part work describes the power of the senses on the development of the mind…
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Job Koelewijn’s work characteristically has an instantaneous, anti-climactic approach complemented by playfulness and irony…
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In their storytelling, AP Komen and Karen Murphy manipulate narrative time in order to create a sense of psychological realism…
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Chris Rollen employs the recollections of his parents to examine differences of memory and language…
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Matt Stokes is involved in an ongoing investigation into the history of Out House Promotions, a defunct rave organisation…
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Claire Todd utilises several media in her work to explore the problem of alienation…
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Edwin Zwakman fabricates images of reality that destabilise and subtly shift our perspective…
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6-27 September 2003
The artists in ‘Afterlife’ share an interest in capturing particular or significant moments in time…
Yael Bartana’s Trembling Time was filmed in Tel-Aviv on Soldiers’ Memorial Day…
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Alex Frost’s work for ‘Afterlife’ represents a single theme played in two different ‘keys’: drawing and sculpture…
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Laura Lancaster’s small-scale paintings are based upon anonymous snapshots found in flea markets and junk shops…
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Laurence Lane’s Untitled Walking Record is a 12”, one-sided vinyl record consisting of recordings of the artist walking through ten cities in six countries…
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Susan MacWilliam’s work examines photography and vision and explores ideas about illusion and the paranormal…
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Anthony Shapland shot Spectate in a cinema during a screening of Hirokazu Kore-Eda’s film After Life…
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For Tail, Clara Ursitti has spent the past year exploring one of the largest and most spectacular cemetaries in Britain…
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Matt White’s manipulation of image and concept through video results in works that incorporate deceptively simple narrative structures…
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